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About

Carol Melgaço

Next I show the connections between art and anthropology, as well as their relation to cities and to Rio de Janeiro in particular. The sources and bibliography on the themes of the social history of art, drawing, visual anthropology and urban anthropology are also discussed. Setting out from the latter area, I present the possibilities for undertaking an ethnography that contributes to our comprehension of the graphic and symbolic narratives of urban life. The title of this section is taken from Joaquim Pais de Brito's catalogue for the exhibition "Drawing to see: Brito's exuberant work as the museum's director has taught us, as anthropologists and spectators, that objects are always "open to new fields of signification," since "they exist before the eyes that look at them" and "each look has its own history, made from a mixture of intellectual construction, experience, sensibility and daydreaming in which it seeks out its own limits. A second event was held the following year in Lisbon, Portugal, attended by around "urban sketchers," including researchers, professors, students and speakers. We draw on location, indoors or out, capturing what we see from direct observation. Our drawings tell the story of our surroundings, the places we live and where we travel.